Leading project partner: Academy of Art
and Design, Bratislava; Ms Cisárová-Mináriková,
Head of the Textile Art Studio
The knights' journeys during the Middle Ages, in the 14th and 15th
centuries, resulted in a flourishing new craft for men - court embroidery.
Embroiderers formed guilds in Bratislava, Banká Bystrica und
Kosice. They produced decorative embroideries for secular occasions.
Ecclesiastical embroideries were made in 14th and 15th century nunneries.
Above all, the nuns worked to create the furnishings of the churches
located in the rich mining towns of central and eastern Slovakia (Spis
region). They made splendid Gothic parements embroidered with scenes
of the saints' lives. The backgrounds fabrics they used were precious
Venetian damasks, velvets and brocades. Today such works may be admired
in the museums of Levoca, Kosice and Bardejov.
A special fabric produced in the 14th and 15th centuries was bakachin,
a type of linen woven on the loom that was found not only in bourgeois
Bardejov households but was also widely used, either to make towels,
bedcovers and tablecloths or for various ecclesiastical purposes,
in all of what was then Hungary.
From the 16th century onwards white lace became popular. Miners' wives
produced such lace at home. At the same time farmers made coloured
lace for their costumes and home furnishings. The Museum of Ethnography
in Martin owns 37,000 folk costumes from all over Slovakia.
A collection of liturgical vestments, antependia and ceremonial flags
made by Mária Hollósy in the late 19th and early 20th
century are now in the municipal collection of the town of Cífer.
Located in the castle of Bratislava, the Museum of History (National
Museum of Slovakia) preserves bourgeois clothing, interior textiles
and tapestries dating from the 17th to 20th centuries.
Tapestries and draft designs by L'udovít Fulla, an important
renewer of the Slovakian crafts, have been compiled in the L'udovít
Fulla Gallery in Ruzomberok.
In Slovakia, textile training is offered by the Applied Art Colleges
of Ruzomberok and Bratislava as well as the Fashion School of Trencin.
At university level, the Academy of Art and Design has three textile
departments: the textile design department, fashion department and
department of free textile art which includes restoration and the
study of textile history.
One of the first companies to mark the beginning of a modern textile
industry was the "twist" factory, established in Bratislava
in 1868. In 1880 a weaving school was built in Kezmarok in order to
strengthen that craft, then still in existence. In the late 19th century
a school equipped with lace-making workshops was added in the town
of Kremnica. An embroidery and drawing school was set up in Cífer
in 1892 and went on to become the largest educational institution
for domestic embroidery in all of Europe, with 17 branches in Western
Slovakia.
In 1895 the largest cotton mill in the former Austro-Hungarian empire
was built in Ruzomberok; its current name is "Texicom".
Later production sites for woollen fabrics were established in the
northern Slovakian regions of Orava and Liptov, in the towns of Halic
and Zilina. Moreover, in Levice there were the "Slovena"
carpet factory and "Levitex" cotton printing mill. After
the fall of Communism these factories decayed, and smaller production
companies were established in their stead.
In 1991 the fashion designer, Danica Vodava set up the "Dana
Voda" studio and workshop for woven fashion.
Established in Bratislava in 1997, the Association of Textile Artists
runs a workshop and studio for needlefelt wall hangings. The studio,
called "Arttex", produces hangings from the Association's
owns designs.
Textile Contact Point (TCP)
Vysoká skola vytvarnych umeni (VSVU)
Hviezdoslavovo nám. 18
SK-81437 Bratislava 1
http://www.vsvu.sk
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Bratislava Castle,
home of the Slovak National Museum

Bardejov Town
Hall (1505-1511), now Museum of Saris
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