Leading project partner: Academy of Arts,
Architecture and Design, Prague; Ms Miroslava Krausová, Assistant
Professor/ Mr Pavel Kasparek, student
Oriental textiles became known in the Czech Lands thanks to trade
and the crusades of the Middle Ages. During the Renaissance period,
the lifestyle of aristocracy and bourgeoisie was supported by imports
from abroad and by the expansion of domestic textile crafts. Most
craftspeople were involved in the clothing industry. The time of the
Thirty Year War (1618-1648) was the first period when the nobility
began to be interested in and support the development of local textile
production, but crucial changes did not take place until the second
half of the eighteenth century. At that time production which had
previously been organised by guilds and within the cottage industry,
was taken over by the first manufactories.
In spite of the fact that manual work continued to predominate, the
manufactories became centres where new technologies and experience
from more developed countries could be applied. However, the real
advance of the textile industry dates back to the 19th century. At
that time large industrial complexes were built both in Bohemia and
Moravia. These new complexes with their textile production were able
to compete even with the most developed European countries including
England and France. The most important products included woollen and
cotton fabrics, printed textiles, but also completely new products
that had no tradition in the Czech Lands, such as machine-knotted
and hand-knotted carpets, quilts, upholstery fabrics and tapestries.
In 1894 the first tapestry workshop was established in Vratislavice
near Liberec, which realized numerous designs of outstanding European
Art Nouveau artists (Mucha, Christiansen, Olbrich, Myrbach etc.) The
character of two other tapestry workshops was somewhat different,
but also very modern. These two workshops were founded at the beginning
of the 20th century in Valasské Mezirici and Jindrichuv Hradec.
The artistic profile of the two workshops, as well as the character
of design in the Czech Republic in the second half of the 20th century
were strongly influenced by teachers and graduates from the Textile
Art Studio at the Academy of Arts, Architecture and Design in Prague.
Nowadays other universities and secondary schools also encompass textile
art and design in their study programmes. These courses provide an
opportunity to continue developing the aesthetic and artistic possibilities
of this longstanding textile tradition, despite the current economic
difficulties.
Czech textile design, whose roots go back to the 19th and 20th century,
together with art from Slovakia and Poland, established its own characteristic
place within European textile art.
All the stations of the Czech Route illustrate this phenomenon. The
Academy of Art, Architecture and Design in Prague with its Textile
Art Studio has had a great influence on Czech textile art and design
both in tapestry weaving and lace making. Museums with applied art
programmes located in traditional industrial textile regions continue
their collecting and preservation efforts, as well as their educational
art programmes, which support students of textile art and design,
among others.
Oldrich Palata/Pavel Kasparek
Textile Contact Point (TCP)
Vysoká skola umeleckoprumyslová
Nam. Jana Palacha 80
CZ-11693 Praha 1
http://www.vsup.cz
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Academy of Arts,
Architecture and Design, Prague

Museum of Decorative
Arts, Prague

The Vamberk Lace
Museum
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